The Week Ending 291210

2=8.41 1=11.40

Rules, instructions, parameters? Embedded inscriptions of some nature, found on a wall in Sayulita Mexico.

Well, maybe weeknotes are from the *week ending* but posted at the *week commencing*. One advantage of being one’s own blog boss, I suppose.

It was a decidedly *quick* week for some reason — perhaps because the Laboratory’s brother was visiting these last couple and action, thinking and events seem to accelerate the time. There was plenty of discussions of stories and filmmaking, which ties nicely into what *must* happen this month: the re-making of several short (30 seconds or so) of this visual design fiction stories meant to communicate some of our principles of Trust as embodied in some props/prototypes. This proves quite creatively engaging and challenging.

There was a pleasant slaloming conversations with the curious and effervescent Natalie, discussing the Latourian design sensibilities and the ways that debates and conversations embed themselves with artefacts. It was lovely to have this chat, if only to begin trying out the various *props* that we’ve been making that are exemplars themselves of these arguments/theories/perspectives. The question remains — what is new here, as an argument? It was encouraging to here Natalie’s excitement and the geneology of this sort of thinking, reaching back to here canonical Live Wire and Rich Gold’s Evocative Knowledge Objects (to which the Theory Object owes everything.)

This decanted into thoughts on a Latour essay presently at desk side.

The third connotation of the word design that seems to me so significant is that when analyzing the design of some artefact the task is unquestionably about meaning — be it symbolic, commercial, or otherwise. Design lends itself to interpretation; it is made to be interpreted in the language of signs. In design, there is alwas as the French say, un dessein, or in Italian, designo. To be sure, in its weakest form design added only superficial meaning to what was brute matter and efficiency. But as it infiltrated into more and more levels of the objets, it carried with it a new attention to meaning.

[[A Cautious Prometheus? A Few Steps Toward a Philosophy of Design (with Special Attention to Peter Sloterjdijk. Bruno Latour]]

[[And special sideways inspiration from Karen, whose present reading/thinking I seem to be accidentally following alongside.]]

And then, I was thinking about Trust in this context and this precise basis for the process of *embedding* the sensibilities and sensitivities of Trust as a design practice. More as this idea develops.

There was a round of planning for future projects at the Nokia Design Strategic Projects studio, which meant thinking about what from Trust moves forward and in which ways and by what means. Similarly, we are beginning to share Trust. And wondering — to whom and to what ends? I am intrigued by this — how do you circulate ideas and with what goals so you know — in a more actionable way — how the ideas materialize and create other goals, especially within such a byzantine organization. This, I think, is one of the larger 2010 *professional* goals, I suppose (seeing as I have not really captured what those might be yet — bit tardy on that objective — I like to have New Year’s goals rather than New Year’s resolutions) — how to communicate ideas such as these, do so without PowerPoint and do so in such a way that you snap people out of a corporate stupor, or whatever it is — and do more than just scrape a bit of paint on the battleship. Rather, help set a different course heading.