"Year of the Depend Adult Undergarment: InterLace Telentertainment, 932/1864 R.I.S.C. power-TPs w/ or w/o console, Pink2, post-Primestar D.S.S. dissemination, menus and icons, pixel-free Internet Fax, tri- and quad-modems w/ adjustable baud, Dissemination-Grids, screens so high-def you might as well be there, cost-effective videophonic conferencing, internal Froxx CD-ROM, electronic couture, all-in-one consoles, Yushityu nanoprocessors, laser chromotography, Virtual-capable media-cards, fiber-optic pulse, digital encoding, killer apps; carpal neuralagia, phosphenic migraine, gluteal hyperadiposity, lumbar stressae."
David Foster Wallace, Infinite Jest, 1996, p.60
Why do I blog this? because it's a lovely type of poetry.
Joël Vacheron and I recently published a book about the role of software/bots in cultural production, and the hybridization of cultural forms (music, visual arts, literature) produced by digital technologies.
It’s called “DADABOT An Introduction to Machinic Creolization” and it deals with Twitter bots, generative music, software-based literature, and all those weird art/design experiments with digital hybridization and mash-ups. The book is made up of an essay, experiments with mechanical turks, interviews with Florian Hecker, Holly Herndon, Constant Dullaart, NORM, Silvio Lorusso, Matthew Plummer-Fernandez, an essay by Maxime Guyon, as well as a lexicon of the terminology used by these practitioners.
Designed by Raphael Verona, it's published by ID Pure, and it can be ordered directly from their on-line shop. Some spread below: (a) Mahma Kan Althaman, Whatever the Price by Khalid Al Gharaballi and Fatima Al Qadiri (written in arabix, see more in this Frieze article), (b) a lexicon as well as intriguing list of programming languages, (c) an experiment in which I crowdsourced the description of glitched images to "mechanical turks".
Picture by Sebastien Fasel, Emphase Sàrl.
This is a new book I just released with my colleagues Lysianne Léchot-Hirt (HEAD–Genève) and Fabienne Kilchör / Sebastien Fasel (Emphase.ch). It's the result of a research project we conducted in 2013-2014 on how designers repurposed ethnography to their own needs and perspective. We basically conducted a series of interviews and observation session with designers to describe the approaches we encountered.
Here's the book blurb:
"What do designers mean when they say they’re going to do “ethnography” and “field research”? What are the relationships between observing people and designing products or services? Is there such a thing as a “designerly” way of knowing people? This book is a report from a research project conducted at HEAD – Genève that addressed the role of people-knowing in interaction/media design. It describes the wide breadth of approaches used by designers to frame their work, get inspiration or speculate about plausible futures. This book presents practitioners’ tactics and illustrates them with several cases. Unlike many resources on user-centered design, it takes a broader approach to design by considering cases in which design is not only a problem-solving activity, but a tool to speculate about the near future, reformulate problems or propose a critical discourse on society. In doing so, this book helps designers, students and consultants to challenge their own perceptions and update their approaches."
The book is a collective effort, with texts from John Thackara, Julian Bleecker, Sara Ljungblad, Gilles Baudet, Anab Jain and Jon Ardern, James Auger, Virginia Cruz and Nicolas Gaudron, Liam Young, Fabian Hemmert, Steve Portigal, Gordan Savičić and Selena Savić, Anne-Catherine Sutermeister and Jean-Pierre Greff.
It can be purchased online here at we-make.it
Few weeks ago, Joel recommended me the work of Stephen Willats, and more specifically this book called "Between Buildings and People". I found it this week in my mailbox (I've bought a second-hand copy that the owner may have read in his bathtub, hence the concave look on the pics).
Based on a series of interviews, observations and photographic documentation, Willats examines the relationship between people and the built environment. His purpose was to investigate the influence of modernist architecture on people and how it's expressed materially. Although this goal is a tad deterministic for my taste, I find the result fascinating and inspiring. The most interesting bit IMO lays in the ways Willats present the material he produced. See for instance the use of pictures along with interviews, or the diagrams he draw on photographic depictions of the environment:
"Living with practical realities" (1978) is another example of Willat's work that I enjoyed as well:
"Living with Practical Realities was made with an elderly woman who lived on her own in a tower block in Hayes, West London. The work centres on the isolation of the elderly symbolised, physically and socially, by the tower block. This is one of the early works in which Willats used the actual content of audio recordings and his photographic documentations that had been made with the co-operation of the woman, directly within the work"
Living with Practical Realities (Panel One)
Why do I blog this? I'm currently working on a follow-up to the Curious Rituals project. My goal is to investigate people's relationship and use of smartphones (with a focus on gestures). Willat's work is highly inspiring both as a research protocol and as a way to present research results in ethnographic research. The descriptive potential of this work is really interesting. Perhaps it's because of his artist background that I find this more advanced than what I usually see in visual sociology – it might appear non-academic from this POV as Willats do not necessarily follow all the "rules" but it's certainly stimulating.
For instance, I find the image diagrams clearly relevant and insightful. I haven't read the whole book so I'm not sure about the underlying methodology here, but it's compelling. It reminds me another example of design analysis that I find interesting: the use of photomontage and overlay annotation described by Dan Hill for a workshop he did back in 2009:
"last week I tried a technique with them that I've often used myself. Writing on photographs of an average street scene, we asked students to imagine all the data that could be derived from the scene via sensors (in the broadest sense of the word), and then go on to sketch interventions or hacks into those scenes, drawn from such data sources."
While Willat's approach is descriptive, Hill's proposal is projective (it's a design workshop) but both revolves around the idea of annotating images; which I find inspiring an relevant to my own research.
For those who asked, here's the list of the tracks I've included in the 8-bit reggae book. Definitely not exhaustive but a good list of tunes that inspired me. Of course there's not just chip music as the book started with the evolution of reggae.Jahtari X Uprooted Sunshine: "Level Up"
Nintempo riddim: "heathen dub"
Sunset Dub: "Circuit Bent Snes # 1"
The Jolly Boys: "Touch Me Tomato"
The Skatalites: "Scandal ska"
Higgs & Wilson: "Manny Oh"
Desmond Dekker: "'007' (Shanty Town)"
The Wailers: "Simmer Down"
Prince Buster: "Judge Dread"
Folkes Brothers: "Oh! Carolina"
Toots and the Maytals "Do the Reggay"
The Paragons: "On The Beach"
Lee Perry: "People Funny Boy"
Lee Perry "Clint Eastwood"
Scientist: "meets the Space Invaders"
Prince Jammy: "Conspiracy on Neptune (Destroys the Invaders)"
The Clash: The Guns of Brixton""
Papa Levi: "Mi God Mi King"
Smiley Culture: "Cockney Translation"
Dub Syndicate: Ravi Shankar
Scientist: "meets the Space Invaders"
Wayne Smith: "Under Me Sleng Teng"
Shabba Ranks: "Get Up Stand Up and Rock"
Mortimer Twang: "Move Move Dub 001"
Mortimer Twang: "Move Move Dub 000"
The Secret Of Monkey Island
Henry Homesweet: "Out-House #11"
Dubmood: Pressure Drop" (Atari-Ska L’Atakk)
Puppa Jim: "I am a robot"
Quarta 330: "Sunset Dub"
Helgeland 8-bit Squad: "Psybeam Riddim"
Jahtari X Uprooted Sunshine: "Level Up!"
The J. Arthur Keenes Band: Expelling Bee"
Burro Banton: Badder dan dem"
Black Chow feat. Pupajim: "Signs”
Goto80: "Steel Egg"
Raquel Meyers and Goto80: "2SLEEP1 ❚❚❚❚❚❚❚ 001 Echidna, moder till alla monster"
Goto80: "bababy dubub" Extraboy: "Flintskall dub"
wellwellsound: Super Marley World
LEGO Sounds "Dubologist Encephalogram" Sunset Dub: "Circuit Bent Snes # 1" 2SLEEP1 ❚❚❚❚❚❚❚ 005. EXEDUB Squincyjones: "Nintendub" ??? "Burgerville in 3D" Snoop Lion: "Here comes the King"
Last week, I was in the Bay Area for a series of events about the future of the book. On Oct 23, I spoke at "Creating Minds" at UC Berkeley, along with James Bridle, François Bon, Bernard Stiegler, Warren Sack or Kathryn Hayles. Here are the slides of my speech, which basically dealt with the new forms of creolization (cultural hybridization) enabled by algorithmic culture, and its consequences for textual production:
Curious Rituals is a project about gestures, postures and rituals people adopt when using digital technologies. It’s both a book documenting gestures we observed, and a design fiction film that speculates about their evolution
Location: Los Angeles, USA
Years: Summer 2012
Leader: Nicolas Nova
Method: Ethnography and prototyping
Curious Rituals was a research project conducted at Art Center College of Design (Pasadena) in July-August 2012 by Nicolas Nova (The Near Future Laboratory / HEAD-Genève), Katherine Miyake, Nancy Kwon and Walton Chiu from the media design program.
The project was about gestures, postures and digital rituals that typically emerged with the use of digital technologies (computers, mobile phones, sensors, robots, etc.): gestures such as recalibrating your smartphone doing an horizontal 8 sign with your hand, the swiping of wallet with RFID cards in public transports, etc. These practices can be seen as the results of a co-construction between technical/physical constraints, contextual variables, designers intents and people’s understanding. We can see them as an intriguing focus of interest to envision the future of material culture.
The aim of the project was to envision the future of gestures and rituals based on:
- A documentation of current digital gestures in a book format
- The making of a design fiction film that speculate about their evolution
“Curious Rituals” was produced as part of a research residency in the Media Design Program at Art Center College of Design in Pasadena, California.
Search terms, by B42 ed.:
What are we to make of all these countless sounds and images passing before our eyes, reaching our ears, arriving on our cell phones, moving across our computers and iPads? What artistic categories are relevant in an era of ever-increasing access to production equipment and DIY art? Indeed, how does art fit into social networks. […] This book is a contribution to the field of Digital Humanities. It takes the form of a query guide cognizant of the redistribution and dissemination of knowledge via search engines and collective encyclopedias. It facilitates research by providing primary sources based on keywords supplied by artists and scholars of various generations, made meaningful by the contributors’ own experience
Junkware, by Thierry Bardini:
Examining cybernetic structures from genetic codes to communication networks, Thierry Bardini explores the idea that most of culture and nature, including humans, is composed of useless, but always potentially recyclable, material otherwise known as ‘junk.’ Junkware examines the cultural history that led to the encoding and decoding of life itself and the contemporary turning of these codes into a commodity.