From the Laboratory’s Blog All Kindle ‘Dog-Earred’ Pages Desk, I bring you a few call-outs, quotes and passages from the brilliant bit of chronodiegetic gooeyness called “How to Live Safely in a Science Fictional Universe” by Charles Yu. Great good barely science-fictional novel here. Really a story about loss and our human nature to regain what has gone and re-do and re-play our lives. Its about travel through time but along the way you get to enjoy some good design fiction swerves and curves. A few good things to think about, ponder over and imagine. I particularly enjoy the way that time-travel is intimate with story-telling in the novel’s world — its a kind of technology and industry (military-industrial-narrative-entertainment complex) that goes along with it: conceptual technology, chronodiegetics and diegetic engineering! I’d say this is a strong-recommend. Pretty much no spoilers below.
There were no exclamation points or any squiggly lines indicating weirdness or jokiness, or any other graphics to signify, This is for kids, this is a toy, this is just make-believe. It just had those words, and it was dead serious..For five dollars and ninety-five cents, plus a self-addressed stamped nine-by-twelve envelope, sent to a PO box somewhere in a faraway state, the good people at Future Enterprises Inc. would send you a survival kit “of great use and convenience for any traveler who finds himself stranded on an alien world.”
Half of me knew it was stupid. I was old enough to know better, but on the other hand, that font! Those letters in all-caps. It didn’t look attractive and well formatted, the kind of thing a kid’s eye would be drawn to; it looked like it came from a typewriter, unevenly spaced, like there was too much text, too many ideas and words and things that someone had to say, had to let people know about, it looked like it came from the mind of a brilliant, lonely, forty-year-old man, sitting somewhere in a basement in that faraway state, half crazy, sure, but on to something.
Today is the day, that one glorious day in my father’s life. After waiting half a lifetime, half a career, his moment. Today is the day they come calling for him. They, the world, the outside institutional world of money and technology and science fictional commerce. I remember the call. Sometime after our first wobbly orbit and before he was completely sure he knew what he was doing (or rather, before he realized he would never be completely sure about what he was doing), someone had taken notice. They found him, the military-industrial-narrative-entertainment complex, and they wanted to hear his idea.
Why do I blog this? To keep track of notes from this book. Some are good ideas for some design fiction experiments. In addition — since I read the Kindle edition (a reasoned alternative to buying the bulky hard cover — which I rarely ever buy — and reading it while on a long trip). I’m confident enough that a Kindle book will not likely be around for as long as a normal book that I feel I must spread my notes around the datasphere.
The guy reaches his stop and gets off, leaving his news cloud behind. I love watching the way these clouds break up, little wisps of information trailing off like a flickering tail, a dragon’s tail of typewriter keys and wind chimes, those little monochrome green cloudlets, a fog of fragments and images and words. On busy news days, the entire city is awash in these cloudlets, like fifty million newspapers brought to breathing, blaring life, and then obliterated into a sea of disintegrating light and noise.