Spacesuit.

This looks like a fantastic book that will look great next to my Norman Mailer: MoonFire: The Epic Journey of Apollo 11 (GO)

Spacesuit: Fashioning Apollo

In Spacesuit, Nicholas de Monchaux tells the story of the twenty-one-layer spacesuit in twenty-one chapters addressing twenty-one topics relevant to the suit, the body, and the technology of the twentieth century. He touches, among other things, on eighteenth-century androids, Christian Dior’s New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK’s carefully cultivated image, the CBS lunar broadcast soundstage, NASA’s Mission Control, and the applications of Apollo-style engineering to city planning. The twenty-one-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario.

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An Artist Statement To Remember

Spacesuit by Michael T. Rea

I just need to jot this down so I don’t lose it.

Mike Rea is an artist. This is his artist’s statement which brings together this wonderful relationship between fiction, underachievement, flaws, and failures. Lovely.

Standing on the shoulders of other people’s dreams could perhaps be the most pathetic of all dreams. The intent of my work is to create something short of its outcome. My goal is to create the idea of an object that remains a dream. The objects I create are based on fictions, rather than realities. I have always been interested in the ephemeral worlds established in film, or even in popular culture. Fictions or established hearsay allow for a flawed interpretation, which leads to a flawed result. The sublime is unattainable, and not an option. I further amplify this experience by only using my memory to construct my images. Failure is imminent. I find humor allows me to enjoy this experience, and I in turn build humor into the worlds established by my work. I have chosen to depict these states with unfinished wood, and other materials which convey a sense of the temporal. I find the beauty in life lies in between moments. My work offers a sense of what could be and what could never be simultaneously.

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