Censure

Je lis sur le site de Kitetoa que les salariés de France Telecom R%D ne peuvent naviguer sur ce même site (Kitetoa). Un filtre (webwasher) en interdit l’accès. C’est magnifique de voir qu’une entreprise francaise qui se veut de pointe adopte un comportement dictarorial. La bannière est éloquente : “ce site n’est pas autorisé”. Etrange vu que Kitetoa n’a rien de pornographique, pedophilique… juste subversif aux yeux de certains.

Enfin, je lis que BNP Paribas, le ministère de la culture et Dassault en interdisent aussi l’accès. Peut être qu’ils ne comprennent pas le contenu de kitetoa ? Vu leur imperméabilité à l’innovation ce n’est pas étonnant (la fusion bnp paribas a totalement affaibli le think tank L’atelier). On s’en fout mais c’est dommage pour les insiders.

Discussion avec K

Pure private discussion (sorry it’s for my personal board 🙂

‘k en attendant je lis pas mal de choses pour cette satanee literature review, et je cherche toujours une question de recherche (c rude)
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:44:21]
He pages, “pff surtout une bonne question de recherche ouais”
‘k ouais surtout
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:44:40]
He pages, “puis savoir dans quel contexte defendre”
‘k voila
The big dog appears, gently grabs your message and heads for Kaspar
‘k mais j’oscille entre revue de litterature et contraintes (methodologiques et choix de la tache pour trouver quelque chose
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:46:48]
He pages, “faudrait pourvoir faire un projection pour savoir dans quel domaine y aura les jobs les plus marrants et ce qu’il faut avoir comme these”
‘k urban planning
The big dog appears, gently grabs your message and heads for Kaspar
‘k game designer
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:48:05]
He pages, “spécialisé MMORG ?”
‘K small scale collaborative game in mixed reality par exemple
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:49:29]
He pages, “alors c décidé: tu la fera en psychologie sociale ou psychologie d’action”
‘k psycho socio-cognitive en fait
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:49:54]
He pages, “sinon en sciences de l’information ou communication … tas le choix”
‘k ouais, pierre veut de l’experience controlee
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:50:09]
He pages, “ouais mais ca y a pas”
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:50:20]
He pages, “pff l’est un peu fondamentaliste”
‘k hehe
The big dog appears, gently grabs your message and heads for Kaspar
Kaspar [at Card Guppies!] tells his big dog to head for your place. [11:50:49]
He pages, “bon vais aller o boulot, a + :)”

Locative x-i

Bookmarklets | MOVABLE TYPE

The international workshop entitled “Locative media” focusing on GPS, mapping and positioning technologies took place from July 16 – 26, 2003 at the K@2 Culture and Information Centre on an abandoned military installation in Liepaja on the coast of the Baltic Sea. The workshop brought together an international group of artists and researchers interested in notions of mobile geography aiming to explore how wireless networking impacts upon notions of space time and social organization.

How space structure language

Bookmarklets | MOVABLE TYPE

I’ve found an interesting paper by Tversky and Lee about how spatial features are used to structure language.

“In perceiving a scene, figures are not just discerned and identified, they are also located. Figures are not located in an absolute way, but rather relative to other reference figures and/or a frame of reference. (…) Reference objects and reference frames serve to schematize the locations of figures. (…) How are reference objects and frames selected? Proximity, salience, and permanence are influential factors (Tversky, 1981; Tversky, Taylor, and Mainwaring, 1997).”

Referenced frames often used : natural borders, axes, side of a room, side of a piece of paper, horizontal and vertical lines (real or virtual)…